Wendlyn at the Pumpkin Festival

"Wendlyn's Doorway"

This evening starts the 2013 Milford Great Pumpkin Festival. For lucky people like me, (aka, those setting up their booths in the town hall auditorium) we don our festival game-on faces tomorrow morning at 10 am and can't relax again until 8pm. I'm also there from 10-3 on Sunday. (Monday? I'm crawling under my giant fern on the balcony and falling asleep in a fetal position until Tuesday.) I never got to make my steampunk faery in time for this event - I just wasn't inspired enough by a storyline. BUT! I did create this cute little girl. For your viewing pleasure: "Wendlyn's Doorway."

Wendlyn is a bit of a ragamuffin, bohemian sort of gal. She started with an antique key, a couple of pieces of wood and some fabulous ribbon I found at Michaels of skeleton keys. Not being a huge wood-worker, my father went to work cutting and connecting the two boards to create a stand and backing for Wendlyn's portal to the realm of Faery. I created the door out of copper, silver and green clay, cut the keyhole by hand and -magic!- you can peek inside the keyhole to see the lush magical forest beyond. Want to see more? Well, Wendlyn is the keeper of the key to unlock it. Maybe if you ask her really nice...

Her skirt is half clay, half real ribbon and lace.

Wendlyn is also a special addition to The Silver Branch OOAK faery line because she is a teaching piece. I took pictures of her throughout the creation process (when I could remember to! Sometimes momentum is everything in sculpting). And I will soon be taking down the ridiculously stuffed fan art board in the hallway to post pictures and explanations of her creation. This way, I hope more visitors to Riverview Mill and my studio will understand how special these little faeries are because of all the work that goes into them! Here is one of the creation images.

Working to position her head. Forgetting to give them ears is one of my worst habits. Ears are so fragile when the clay is wet that it's best to leave them off as long as possible. I've sometimes had to rush sculptures out of the hot oven before they've cured after realizing they're missing their ears! I didn't forget this time. Once her head was positioned, she got two cute little pointed ears.

The Pixie and the Bee

Sorrel the Pixie always loves moving the acorns the squirrels bury every autumn!

 Autumn has begun to command a presence in southern NH. Apple picking is phenomenal right now (thank goodness I never tire of apple crisp!) and the sugar maples are just starting to turn red in the wetlands - a harbinger of the changing foliage for all the rest of the forest. It's been slightly chillier, and I started thinking about a faery to represent Halloween for The Silver Branch. Last year was Ti'ree and her Venus Flytrap antics. Before that was Ebony the Witch and her frog prince in the cauldron. This year? I wanted to go steampunk but I'm not completely inspired on a story for one yet. So, I went for honey bee.

Mellifera the Queen Bee

Meet Mellifera. I feel a little egotistical having a faery so close to my own name, but when I looked up the scientific name for the Western Honeybee (the honey bee that is found throughout the USA and Europe) I discovered it was Apis mellifera. It's out of my hands! :)

This was before I painted the base black.

Mellifera's dress is almost entirely sculpted of polymer clay (need I say - no molds were used on her or her dress or staff or crown? That should be a given by now). I added a bit of gold tulle underneath her honeycomb underskirt and a little antique black lace to the sides of her dress to give her a little more bustle action.

My other creation, almost done on the same day, was Sorrel the Pixie. I came across his facial style while I was making Goblin King Pocket watches (yes, they tell horrible time, but no one seems to mind). The one thing I love about sculpting goblin faces is that there are no rules. You can play and color outside the lines, so it gives me lots of leeway to try out new faces and techniques with my old tools. You might notice which goblin inspired my little Sorrel. I'm probably going to make a whole line on Pixies now. They're too cute to sculpt just one.

One of my Goblin King Pocket Watches - the one that inspired me to try one of the faces on Sorrel.

Sorrel in the garden.

Sorrel in the forest

Branwen the Shapeshifter

Branwen

     Branwen may mean "Blessed Raven" in Gaelic, but Branwen the Faery is a fan of the magically iridescent bird, the grackle. As anyone knows, I'm a huge bird lover. Whether we're talking about my flock of parrots here in my home or of the birds at my feeders or the birds I spot on my hikes, I'm happy as long as I'm talking about them.

In folklore, faeries and birds are closely linked in many tales. There are stories of faeries who only appear to mortals as birds, stories of faeries that morph in and out of bird forms and stories of faeries riding on birds. They make great subject matter. I had sculpted Shaelin's New Nest back in 2011 in which the faery was kicking a little sparrow out of its nest. And before Branwen, I finished and sold Alula the Hummingbird Rider. It seemed only fitting that I create a faery shapeshifter with her grackle regalia.

 

Branwen started this time as a sketch I made in my journal... rare for me to try to conceptualize on paper first really. Did it help? A little. It was hard to imagine what her arms would be doing if she was kneeling or how her left foot would be positioned underneath her or where her ankle would move to in that position. Odd stuff a faery sculptor needs to know, you know?

Branwen's necklace is really one of my own that I chopped up just for her! Lucky faery.

She kneels at just about 4 inches tall. Her wings are sculpted of clay then blend down into faery wings. All her feathers are black but shine with iridescent shimmer of blues, browns, greens and violet like a grackle. Her helmet is a stylized grackle's head (stylized because grackles do not have long plumes off the backs of their heads like her helmet). Her dress is made entirely of clay. The skirt blends upward into a "downy" top of clay that is blended and streaked into her flesh to make it appear one with her form (which I suppose, technically, it is!)

Hummingbirds, Blueberries and Faery Gardens

"Alula the Hummingbird Rider" Alula sits at just over one tiny inch tall

Aside the wings and chain, it's 100% clay

I've been so busy with the studio, teaching classes and getting ready for my first show of 2013 (The New Hampshire Renaissance Faire, May 11th, 12th, 18th & 19th in Kingston NH - be there!) that I came back to a new blogger format. Serves me right for being MIA. Anyway! That annoying chest pain problem is steadily declining and I've been all out busy sculpting to get all these faeries, mermaids, dragons, gnomes and goblins out of my head (it's growing loud in here) and to get stocked up for the faire.

"Alethea the Blueberry Faery" - 52 hand sculpted and powder dusted blueberries! Trust me... 52.

One of the most exciting aspects of my studio is the potential for the garden I've always wanted to plant! I've been eying sun loving herbs and flowers I could never before plant on the balcony of my east facing apartment. Bliss! But I can't do any of this until after the faire, so I've been daydreaming with little indoor gardens.
Check out my teacup garden, containing a weeping fig, baby's tears, and of course I had to add a couple of my sculptures. :)

All planted in a 10" round teacup planter. :D

Thaddeus - quiet and a great gardener.

I love sculpting goblins. They're pretty nasty in Faery, I'm told, but goblins in The Silver Branch studio tend to be quite endearing little tykes. To the left you see Thaddeus, my resident garden goblin. He waters the baby's tears when I'm not there at night. Why do I love sculpting goblins in particular? Unlike faeries and mermaids, dragons and gnomes, there really isn't even a remotely wrong way to make a goblin. One could argue there's not wrong way to make a faery, but you try telling people that 3 eyed moss creature you made in 4th grade is a faery and watch their eyes. Whereas, you can sculpt anything and it'll work for a goblin.

The Masquerade Faery

Brand new as of 10 minutes ago! Meet my newest one of a kind creation. And like all my creations, the name usually doesn't happen for at least 24 to 48 hours after I'm done with the sculpture. Until that time, let's just call her the Masquerade Faery. She's all set for any goblin king hosted ball!

Like most of my faeries and mermaids, she was created around an idea from a found object. In this case, a clearance priced bunch of feathers from the craft store. I flipped them upside down and immediately thought up this dress! Despite the grand garb, I took special pains to sculpt her figure. I timed myself. With the distraction of occasional snacking, she took 9 and a half hours to sculpt. That was just her figure. It took me about 7 hours to get her costume, hair, coloring, mask and wings done today. That was record timing for me.

I'm hoping to figure out a way to put her up on etsy, but like all my faeries, I'm terrified of shipping her.She's pretty strong, but the thought of her tumbling about in a box across country or the ocean, no matter how tightly packed, scares the jitterbugs outta me! I wonder how other art doll creators do it....

When Pigs Fly

"When Pigs Fly"

I was going to post about a new 'scene' I made with gnomes and a chalkboard and glowing clay, but in light of the unlikely things happening around here lately, I've decided to unveil my latest faery sculpture to the blog instead. If someone had suggested that NH might fall prey to a blizzard that dumps 20 inches of snow and knocks out power to thousands and thousands - all before Halloween - they might reply with the title of this sculpture. I certainly would have! :)

This sculpture is seriously much more impressive in person. There's just no decent way to show the perspective of the piece with my amateur camera know-how. But, be that as it may, I've done my best. A rather adorable pig with wings is being coaxed to fly by a flying fae boy. He is in mid-air with no apparently visible support. And the miracle is he's rather quite sturdy up there! Whew!


This all came about when I found some brass rods at the little country hardware store down the street. I've been dying to work on a more difficult armature, something that would wow people. I'm pretty happy with the result. Why the theme? I was working with the television on and there was a commercial involving a dog on a roof with some flying pigs... and some canned baked beans too. Not sure where that came into it, but the flying pigs stuck in my mind. I thought, wouldn't it be nice to show just how you could get one to fly? Hence the faery and a way to try out an out-of-the-ordinary armature design.

The pig completely supports the faery. To make this design, I started with a basic (and I mean stick figure) sketch in full scale of the piece I wanted to create. Then I bent the brass rod along the center of gravity for both the pig and the faery, and then I prayed to the sculpting gods that I guessed correctly on the angle of the faery. Too far forward and he would have tipped. I got it just right! The bar runs through the piggy, up his wing, up the faery's arm and down through his torso. From there, I constructed the armature of the pig and sculpted the basic body of the pig before finally tackling the faery. This took a long while. I was so worried about the balance and center of gravity, that I put the finished pig with the brass rod sticking out on my "to do" shelf at the mill and didn't touch it for at least a few weeks. >.<

Aerial shot

When I mustered up the courage and repeated my little "nothing to it but to do it" mantra a few hundred times, I started working on the armature of the faery itself and then the clay. I was relieved that the finished piece not only didn't tip, but it was highly sturdy. You could actually push on the faery's legs (within reason, of course) and it wouldn't tip.

So I will definitely try more interesting armatures after show season has slowed down a bit.

Ebony's Prince

Ok, I know we have ... 1, 2... 43 days until Halloween, but a gal getting ready for a pumpkin festival craft fair has to be prepared early. So, with that in mind, I went to work on another faery sculpture to entertain the tiny masses that stalk my work and those who just happen to pass my booth at the festival.

Her name is Ebony and the piece is called "Ebony's Prince". Now, this sculpture has told me a lot about those around me. Almost like a glimpse into a small portion of a person's psyche. For, you see, there is a story in this sculpture. And how you see it can really show your demeanor in that moment of time. Take a look. Ebony is obviously going to kiss the frog prince.... What story do you see behind it?

The bubbles are glass!

If you said "Well she's kissing him as he comes out of the cauldron" or "she wants to turn him into a human/faery prince", then you're probably a perfectly balanced individual and I envy you that in those moments when customers stare at me a little too long. (Am I the only one that happens to?) That sort of thinking makes it a cute, faerytale, picture book sort of sculpture, doesn't it? Only one other person saw what I saw after I finished making it. "She's kissing the frog goodbye?" they suggested. Wow! Dark and twisted mind I think! But, I'm abashed to say, I thought that too when all was said and done. It wasn't my starting intention, I assure you. So maybe I'm not all bad. lol

Ebony's wings are made from twisting antique brass colored copper wire into a bat wing shape. I made a candy corn of polymer clay and tiny skulls out of ceramic to adorn the back of her belt line instead of a bow.

Her nails are black with orange polkadots. The lace on her left sleeve is vintage lace off a really old valentines day chocolate box.

She needs a name - New Painter Faery!

I just finished her today!

click to enlarge

So new that she doesn't even have a name yet (nor does her little creation). I had been working on this cute little fae all week, and had created her painting last week. I was inspired by a little wooden easel I found at the dollar store made for collective plates. It's perfectly faery sized! Plates? Pshh. No thanks. The canvas and the painting are all made of clay. I started by cutting a rectangle out of white clay, then painted on the wet clay with a mixture of liquid polymer and ink. In the center of the painting is a door with stones leading up to it. And as it was the faery's creation, a little magic was in the paints. A tiny (seriously TINY) faery is coming out through the door!

I sculpted her with a needle.

The painter faery (wow... really need to get a name for her!) was really fun because I tried a couple of "new techniques" on her. For one, I had a blast blowing paint through a glass pipe at her to give her a true artist appearance. The splashes and smears are hard to see in the pictures, but she has lots of purple, blue, green, white and silver flecks.

When you stand in paint, you get a little dirty

Another thing I tried was simply dragonfly style wings. Instead of curling long "spokes" for butterfly ribbing, I made long oval loops with blue metallic coated copper and silver spirals inside. Lastly, I had sewed a little beret and created a little matching pair of overalls for her. Because she's not a jointed doll, she was extremely hard to dress (at least for me. I'm really not a seamstress in the slightest!). Making a pair of pants is easy enough, but you can't just slide them on because the legs are rigid. Same with sleeves.

If I can't grow flowers, I'll make 'em! (Or make faeries for them)

I like little ole Milford and the apartment my father and I have lived in for the past 11 years. However, living in a second story flat has its downside.... no garden!! Granted, my balcony looks like the Hanging Gardens of Babylon every summer thanks to my ambitious green thumb, but for years I've dreamed of having my own, real, in the earth garden. I even doodled sketches last year in hopes that I might secure a little plot somewhere. If Milford has a community garden, it's well hidden. I finally put two and two together today when I was drawn yet again to silk flowers in the craft store.

For those who know my work, you know I'm creating an OOAK fantasy flower line ('ooak flower spirit' to be precise). This came about when I fell in love with some awesome blue tiger lilies at Michaels Crafts floral department. With a tag saying 50% off the hefty priced flowers, I bought myself a new inspiration! You may recognize this little gem of a sculpture from my Etsy shop (listing here) or one of the dozen treasuries she's been in. (Thank you etsy curators! You all rock!)

I loved making her and just had to keep going. With another idea planted in my head, I created this next lovely; a fantasy style orchid. I improved a little I think. The only parts of her that are not polymer are her leaves and the terracotta pot she graces. She found a perfect home. :3

I have so many ideas for flowers now that my imagination is like a stuffy greenhouse. Everything from elegant and intricate to comical and cartoonish all stuffed in that little nut I call my mind. Check out my Dandelion ... get it? Dandy-Lion? Ok, so it looks a little more like a puppy in a lion's mane. I plan to keep the idea but rework the face.

Then I drifted back to that darned floral department. I just finished my Captive Mermaid and wanted to get back to practicing my faeries. But another flower! And there's still snow on the ground! Another flower wouldn't be a bad thing, I convinced myself, much influenced by the new 60% off sale (those sales kill me!). I bought a big lavender colored bloom. I'm not sure if it's fashioned after a real flower. It sat in the studio with me for a while and I was torn between using it to create a new flower or making a baby to sleep in it. Well... here's the winning idea. This adorable baby is a lot like my adult faeries - all hand sculpted without the use of molds. The wings are hand made too.

And of course, the big flower was just too soft and inviting not to have a faery baby snuggling on it!