Niamh and Cameron - the last faeries of 2012

"Niamh" (pronounced Neev)

For those who know me in the human realm, November and December has become a frenzied time of year. I can feel the water gaining momentum in October just after the Pumpkin Festival. I try to ignore the upcoming eddy as I enjoy the falling leaves and earthy feel of the month. Then WHOOSH! November! Show season mayhem! Over the edge of the rapids I go. This past year, I had a show every single weekend and no time to breathe, sculpt and enjoy my art as much as I set out to do in the start of this whole sculpting adventure. In late december, I reached the bottom of the falls and was a little worse for the wear with a chest inflammation due to stress and a minor injury that actually prevented me from sculpting and working in the studio. Even now, I'm still recovering - which anyone who has come to visit me at the studio only to find a note on the door will attest to. I'm taking that as a lesson to never book myself so tightly again. Sculpting and my health became secondary to the business side of the equation. What a difficult balancing game this is and it's so easy to tip the scales!

Okay - you can put the tiny violins away now. I am quite happy with how 2012 went otherwise. I moved into a new studio and opened it as a shop as well, taught some fun classes, made some awesome new creations and met some genuinely great people I would have never met if not for this magical path. In late October, I even squeaked out some new faeries and mermaids before the waterfall got me. They never got a blog shout out as far as I remember, so here they are! I can't wait to get back to sculpting again!

Niamh, like Mabon, is another wetland faery. Niamh is a bright faery of the edge of the wetlands where the trees meet the water and reeds. Her best friends are the dragonflies and damselflies that taught her how to fly when she was young. Sculptural-wise, she is in my top 3 favorite creations (Finn and Truffles of "When Pigs Fly" come in #1 in case you're wondering. That was such a tough but rewarding armature!) Niamh's armature is only held up by a thick steel wire in her left leg. Her right foot does not touch the clay oak leaf below her. I wanted to give the impression that she was running across falling leaves while flying her her dragonfly friend. I also tried something new with Niamh - her mouth is very small, so it's hard to see, but she actually has teeth!

you may have to enlarge this to see her 2 front teeth in her mouth.

The colors of the oak leaf contrast with her wings, giving her a more vibrant appearance.

"Cameron's Cake" was another faery based around a found object. In this case, a cute little cake cloche. The story goes: Cameron spied as I baked this cake. He stealthily watched as I cut a slice. He crept closer as I put the slice on the stand. But before he could take the cake, I snapped on the cloche! He tried for hours to lift the glass. Looks like poor Cameron has fallen asleep trying! The only thing not hand sculpted is the glass stand and cloche. Even the cake and doily underneath is clay.

"Cameron's Cake"

Poor Cameron has fallen asleep.

Good enough to eat. This cake is about the length of the palm of your hand.

How I started making Faeries

"Ash" - What a learning experience he was!

My focus at present seems to be on practicing polymer clay faeries. Yeah, I do spell 'fairy' in that geeky 'epic, fantasy' like way. Truth be told, this was the old english spelling and dates from texts at least as far back as the 16th century, so it's not as new age as many make it out to be.

Now where'd I get this desire? I do love my 'green girl' faces and faery doors and haven't abandoned them, I promise. But I've always had 'a thing' for faeries. It was about 2 years ago that I took a little ball of clay and tried to follow an online tutorial on how to shape it into a baby's face. I still have that rather scary baby. As you can see from the picture of it below, I was inspired from that point on to give polymer clay a long vacation: no pay and no guarantee that there will be work for it again once it returns.

About 6 months ago (maybe less) I picked up a pack of Sculpy again... mostly out of boredom I think. I was battling the worst kind of writers block. It was the kind where you have an amazing plot, and even characters to boot, but no idea where to start the whole darn thing! I needed some sort of release. I made a dragon. Note about Sculpy III - it breaks at the very thought of tapping it. Brittle, powdery bits of a young dragon all over my car! Well, I moved onto Super Sculpy. I made faces with leaves around them and painted them to look like antiqued copper and sunlight speckled forest canopies. My 'Green Girls' (so called because they look like the Green Man, but I always saw them as too feminine) I flatter myself that I grew better at making faces. Still, I remembered my little baby faery and put full figures on the back burner. I made faery doors, started a flower nymph collection (working on flower #3! Wooo!), gnomes, jewelry. Finally, I decided to try it out. I took some wire and created an armature.

Watch out for my upcoming blog post all about my first somewhat decent OOAK (one of a kind) polymer faery - Ash.